Friday, November 22, 2013

Lunenburg County Christmas Ornament Factory - First Kiln Unloading Part 1

So my firing of all those ornaments went pretty well, and I've decided to come up with a label.  Lunenburg County is the Christmas Tree Capital of the World so I figured why not include the name in a new brand, so, introducing:

"Lunenburg County Christmas Ornament Factory"

Here's the first pic, a Buff Orpington stoneware chicken, I'll add more pics to this post later!


 Ok, it's Nov 23 and I'm adding more pics.

I'm very excited about my new 'brand' which I launched today at Swoon Fine Art's 3rd annual Christmas Tree Ornament Party/Sale.  I didn't make it in for the sale, so I'm not sure if any of these have been sold yet but below are pics of ornaments I took there.  There was more in this firing though, so I'll take more pics within the new few days. 

Thanks to Evgenia Makogon for taking pics and making this photo-collage for me!  Evgenia was at Swoon on Friday too, dropping off some beautiful miniature paintings for the Ornament sale. 

Me under the tree of ornaments...


 And now a whole pile of pics I took yesterday morning; this isn't even everything that went to Swoon as there are also a few foxes and squirrels I took there.  The price point on these are $18 or $22.  I took the pics before putting on the wires and labels, part of my new campaign to photograph things before they sell and I forget what they look like Plus I'm so excited to see how my work will evolve over time. For some of these ornaments I photographed the fronts as well as the backs.

Bears, the blue scarfed one was supposed to reference one of the Sochi mascots but I didn't use quite the right colour...

Blue Jay

Donkey

Hens

Cardinal
Ermine

Duckling

Doves

Frog


Horses

Owl in Santa Hat, I really like this one!

Carved up Dove, I like how the carving turned out!

Little Christmas Rat (or mouse if rats gross you out)


White Rabbit and Squirrel

Pug
Yellow Horse
White Wolf

Unicorn! I love this one!

turtle
tiger cub


Sheep! this is a new design, I've made and sold a lot of suffolk sheep with black heads and legs, but I think these will show up better on the tree. the carving is new too!

Big fat Great White Christmas Shark.



Thursday, November 21, 2013

My Christmas Wish For Big Box Stores, or "How to Put the 'Canadian' Back into Canadian Tire"

Ok, one more photo-less post but to make up for it the next post will be all photos, as my low-fire ornaments turned out well, and I'll soon be unloading my glazed stoneware ornaments.

This post is for the owners and managers of Big Box stores.

In my last two posts I listed off a bunch of reasons why people should buy local craft, now based on those reasons, I'm going to describe a small way I think you Big Box managing people could help the local economy.

When I moved to Regina in 2005, I remember going to a Canadian Tire store looking for Christmas stuff, and being surprised that pretty much all of it was made in China.  Why? I guess we've become used to the idea that in order to profit, stores need to flip cheap goods, and to get cheap goods, these goods need to be made in offshore factories.  I remember saying "isn't this Canadian Tire? why is all the Christmas stuff made in China? Do they even celebrate Christmas?".  This post is directed at a number of big box stores, but I think it can be summed up by my alternate title: 'How to Put the 'Canadian' Back into Canadian Tire'.

Well, to throw out a word from my previous career in Science, I have a 2-part Hypothesis to test.  My hypothesis is this: 1. Locally made craft is cheaper than people think, and, 2. given the choice, a lot of consumers would prefer to buy locally made craft if were made readily available to them.

As consumers I think a lot of us have become addicted and dependent on the convenience of big box store shopping.  These stores tend to be open long hours, have easy parking, lots of staff, and be located in centres where people go to get groceries and other things they need.  Now, as a craftsperson so far I've done what every other craftsperson does and look for stores specializing in local art and craft to sell my wares.  While I love the venues I support, if I want to make a full-time living with my ornaments and figurines it has occurred to me I'll soon be out-producing what these stores are able to sell.  

I also believe art is for everyone.  This is a concept I've heard thrown around in the community art events I've helped with, and I know a few artists who now specialize in making giant parade puppets, lanterns, and installations.  Sometimes I've felt like a bit of a sell-out for not devoting myself to this full time as well, but I've realized that my passion lies in tackling the "art is for everyone" idea from a different angle.  My angle is that anyone should be able to afford a little bit of locally handmade art in their home.  This is why I love to make hand sculpted figurines and ornaments at prices that are competitive with mass produced objects from foreign factories.  For awhile I've felt like I'm in some sort of trade war with China, and my ornaments and figurines are like my little soldiers.  Now I would love to send these soldiers into a big box store, and let them fight it out with Chinese made ornaments for market share.

My Christmas wish to Big Box stores is this:

Please, please, please (yes I'm begging) please let me show you some samples of my more "productiony" ornaments for this Christmas season, the ones that I can make relatively quickly.  We could agree on a price point that we think customers would go for, and hopefully a consignment rate that pleases us both.  I've designed my little animal ornaments to either stand on their cute little feet, or sit on their cute little bottoms, so all I would require is some shelf space.  In most big box stores I've visited, there is always a bit of room.  I would bring these ornaments to you, you just need to price them and hopefully sell them.  That's it.  It'd be a win/win.  No dealing with ordering stock from afar, and having to cope with leftover stock that doesn't sell.  I could take away or swap out unsold pieces. I'd even assume responsibility for any theft or damage.

And think about it, oh Big Box owner, you would have the honour of being at the leading edge of the "Localartista" revolution (Localartista = maker and/or purveyor of local art and craft, I made up that word this week).  Think how thrilled your customers would be that you're presenting them with opportunities to put something locally made on their Christmas Tree.  After all, Lunenburg County is the "Christmas Tree Capital of the World" (according to the sign I saw on the highway) so wouldn't it be great to make it easier for people to put Lunenburg County Christmas Ornaments on their trees? I think your customers would pick up on the fun energy I try to sculpt into my pieces.  I think they would find the foreign made objects dull and cheerless by comparison.  And really, what is the worst that could happen? You try out a product that doesn't sell? At least with me you wouldn't be gambling any dough. Plus any dough we both make stays right in our local economy, it isn't sent offshore.  With your help one day I'll even hopefully be able to hire an assistant at my ornament factory, and this province does need more jobs!

Ok Big Box owner/manager, you can stop reading now as the rest of this post is to pacify the shops that I currently work with so they don't chuck all my stuff out in the street.

If any owners of more traditional craft venues read this post and think "what the hell are you doing, taking more of our business away from us" my argument is, nah. I don't think I am.  I think there are already people who will and do go out of their way to support small galleries and craft shops.  The good galleries/shops have built up loyal cliental by offering unique products and friendly service.  I think local small store shoppers are already hooked, and I  don't think any of these customers will suddenly stop buying my products from these shops because I have some ornaments in a Big Box store.  There is something magical about walking into a store or gallery that has mainly local art and craft, that would be difficult to replicate in a Big Box store where people are also going in to buy fishing rods, nails, toasters and swiffer refills. 

What I do think will happen, though, is that more of the public will realize, huh, handmade local craft isn't as expensive as I thought.  I do think there are legions of people, who, due to being busy with family, shiftwork, overwork, general shyness to enter a small independently run store, just aren't going to shop at galleries.  These people just feel more comfortable in malls and Big Box stores and possibly assume that galleries are full of expensive things they can't afford.  But, maybe if  my ornament/soldiers become popular, and I continue to promote my work at other venues, these formerly Big-Box/Mall shopping only people might finally venture into a gallery or craft shop to see what they're all about.  My ornaments would be like cheerful ambassadors welcoming new people into the world of local art and craft.  It'd be a win/win.  And most certainly any Big Box store taking on my work isn't going to be losing sales to art galleries, as they sell so much other stuff that people need.  I think Big Box stores are more suited to carrying large amounts of low-priced works, and in my experience, galleries would rather be selling the more one-of-a-kind show stopping stuff anyways, as these pieces fetch a higher price and are better able to help the indie business owner pay bills than my lower priced trinkets.  The more unique pieces are also the pieces that gallery fans are craving.

 Having a few lines of products at Big Box stores would also help me pay my bills, assuming my items sell well and provide me with some steadier income to hedge against slow times at the smaller shops. Truth be told, my dream is to come up with lines of products that have the mass appeal of Beanie Babies and My Little Ponies with the one-of-a-kind uniqueness and collectability of Faberge Eggs.  Having outlets for my productiony stuff would also allow me some creative freedom to split my time between making for the Big Box and taking a risk on making more unique pieces for the smaller shops that I love to support.

So my hunch is that my Big Box plan sounds like a win/win/win/win/win for me, customers, the Big Box, galleries and the local economy.  Maybe I'm wrong! But, definitely an experiment worth trying, eh? 

Tuesday, November 19, 2013

A New Word for the English Language, and 3 more reasons for buying local craft

Well this will be a photo-less post, I loaded my bisque kiln early this morning and have over one hundred ornaments out baking in my shed.  I'll have some posts of some of the finished ornaments later this week.

Meanwhile I've been thinking a lot about how to market and where to sell my ornaments.  This will be the topic of a post in the near future, but it occurred to me that getting local art and craft into big box stores might be a good thing, and could be done in a way to benefit artists while also drawing more traffic to independently run venues.  (so please don't be alarmed, locally run venues, if you see me tweeting about how I'd love to sell my Kevin O'Leary Christmas Tree Heads at Canadian Tire).   But more about all this when I write the post which I think will be called "How to put the Canadian back into Canadian Tire" or something similar.


Step one in forming that plan was to come up with a label for artists trying to get their work seen by as many people as possible, while giving all stores an opportunity to replace stuff from foreign factories with locally made items.  So I came up with a word.  First I thought of "Localista" but that's already been thought up and is used mostly by people promoting local food.  So that led me to my new word:

"Localartista" which I'll define as artists and craftspeople who make and promote local art and craft.  Take that, China, we're gunning for you!

I googled it and checked for hashtags on twitter, I think I can claim "Localartista" as my new made up word. I'll possibly come up with a better word for this revolution I'd like help start, but for now it'll do.

Now on to more reasons for buying local art and craft, I had come up with 7 reasons so far.

Here are 3 more:

#8 - Child Care.  Now I don't have kids which is for the best seeing as I can barely look after myself.  But one thing I've noticed is a lot of artists and crafters do, and by selling their work it allows them to work from home.  This means their kids also stay home with them and aren't shuttled around to daycares.  I don't know how the daycare system works but I imagine this also frees up space in daycares, while saving artist-parents money on child care costs.  In some cases I suppose there are artists who can also care for elders while working at home.  In the case of artists raising kids, the ones I've met get their kids right involved in their business.  This means parent/child quality time, and the kids learn art and business skills, while having their own imaginations and creative spirits nurtured.  I think that's nice!

#9 - Environmental health.  With the exception of the times I occasionally dump out small amounts of dirty glaze water on my lawn I would say my ornament factory is pretty environmentally friendly.  Not sure if the same can be said about foreign factories.  Unlike work from foreign factories, my work doesn't need to be shipped for thousands of kilometers on a giant tanker and packed up in various packing supplies.  Rather, my work gets driven a relatively short distance, and I'm cheap so I do errands on the same trip.  Instead of styrofoam my packing materials of choice is newspapers which I've read, or for larger objects I'll wrap them in towels and just lay them in the car.  By staying home working all the time I'm also using my car less as now the only commuting I need to do is to drop off stock or pick up supplies.  This means less time on the road, and I'm reducing my carbon footprint.  It also leads me to:

#10 - Savings in Health Care.  By staying home more, and traveling less there's less chance of me ending up in a traffic accident.  By spending my working life doing something that I love and is stress-relieving, I'm also hopefully preventing disease in my body which will save Canadian taxpayers oodles of money.

That's all for today, as usual finishing off underglazing and loading my kiln took way longer than I thought so I'm a bit tired!  Looking forward to seeing how my low fire ornaments turn out!

Wednesday, November 13, 2013

Ornament Update! And "Reasons to Buy My Stuff or Any Locally Made Craft This Christmas"

So I've been busy making clay ornaments for the 3rd annual "One of a Kind Christmas Ornament Party/Sale" happening at Swoon Fine Art next Saturday, Nov 23rd.

The sale starts at 10 am so arrive early for the best selection!  There will be lots of great ornaments by various artists! 

A shot of my studio, which is now full of ornaments! There are a lot here,  because in the name of economy and out of respect to the environment I like to fire my kiln packed as full as possible when I fire it.



 For little things like this I mostly sit on my studio couch and work off of this coffee table, which is now full




 I've been making all kinds! But here are a few favourites... these are just the raw clay ones, I have a lot of underglazing and glazing to do!!

Little Christmas Owl with Santa Hat

Pug

Christmas Shark With Santa Hat



The Christmas Unicorn


Today's topic is "Reasons Why to Buy My Stuff or Any Locally Made Craft This Christmas".

This is the time of year where we all hear "Buy Local!" "Buy Local!" chirped about the market places.  Here are some reasons to head on down to Swoon a week Saturday for ornaments, or to any of the great markets this time of year, or to any other venues supporting local artists, crafters and producers of food:

1. - When you spend money on locally made art and craft, the money stays right in your local economy.  In my case, any money I make is actually going straight to some local tradespeople.  We need some major repairs done to our house!   Of course money I earn through art will also go to small businesses that sell me supplies, mostly Dragonfire Pottery in Dartmouth who are AWESOME, and also DeSerres on Barrington Street in Halifax. 

2. - Collectability and Value.   I've been thinking about how to make my art the best possible investment for my customers.  This year I've begun signing everything with my initials.  Even my ornaments and figurines.  So if you buy an ornament and see the "SP" I'm doing that so that years down the road they MIGHT actually be worth a few extra bucks. Or, they might not, but things do go up in value due to inflation of materials etc...  I've also decided to resist the temptation to get into using molds. I don't like working with molds, sculpting is the fun part for me.  So each ornament and figurine I make is a one-off hand-sculpted piece of art.   My good friend and "Art-Ally" Evgenia Makogon has likewise begun working hard on series of collectible acrylic mini paintings which are absolutely scrumptious.

3. - Quality!  Local art and craft is likely to be safer than questionable toxic products as what we hear about coming from China.  All the potters I know, for instance, use food-safe lead-free glazes for functional ware.  And when you buy local you can ask the artist or crafter what exactly is in the materials they are using.

4. - Don't forget about the venues and people who run them!  In my case, my sales also go to support the shops where I have my stuff, as well as all the artists they represent.  I'm huge fans of my current shops: Swoon, Jenny Jib, and Nest (in Mabou).  All 3 business owners are committed to local art and craft and work hard for their artists; maintaining a brick and mortar shop is expensive and unless we want cities and towns where big box stores are the only places to shop I think it's important to spend $$ in places like this.  For crafters who sell at market, there are table fees that go back to the market organizers to keep the markets going.  It's an entire industry, the more art and craft that sells the more $$ that goes into the pockets of people like this, and that means more $$ staying in the local economy rather than getting shipped off to China or other countries.

5. - Human Rights! Now you've seen pics of my studio, would you rather have something for your tree that came from some place cozy, and happy like that, or from the sweatshops described in this Mother Jones Article about ornament factories in China?  Seems weird to me to be buying items of "Christmas Cheer" made by exploited people overseas.  Next time you get distracted by a shiny bauble in a big box store, think about where exactly that trinket came from!  Although I'm guilty of bouts of workaholic -ism, I've been becoming more and more aware and conscious of the need for me to keep happy, balanced, meditative and focused when working on craft as I believe we need more objects around us that were made with positive intention.  For the record, I'm currently paying myself less than minimum wage per hour but that's because I feel like I'm at war with China and I want to take back some of that market share for my homeland!  Plus as I've mentioned earlier I'm terrified by the thought of ever having to get a job.
 
6. - Artists and Crafters are Nice People!  This goes for everyone I've met in the industry.  When you support artists and crafters by buying their stuff, it's likely that they have other artists and crafter friends they want to help out.  It is likely they volunteer on committees or in guilds, or teach art in their communities, fostering creativity in youngsters and adults.  Some are even organized and profitable enough that they have created jobs for other people.  Super great place to direct your money in my opinion.

Leads me to the last point (for now)

7. - Money is energy!  I had this thought last night that money is power.  Maybe that's why the word "Currency" is so similar to Electric Current or River Current... money moves people and things.  Aha, thanks internet, I just looked it up in the Online Etymology Dictionary.

Turns out I was right on! 

 Currency: 1650s, "condition of flowing," from Latin currens, present participle of currere "to run" (see current (adj.)); the sense of a flow or course extended 1699 (by John Locke) to "circulation of money."


So I know times are hard out there and maybe you just have a few bucks for xmas shopping, but think about it, money really is power and with every dollar you spend you are actually casting a vote for the world that you want to see!

Monday, November 4, 2013

A Peacock, More Ornaments, and my New Identity

So since my last post, I've been busy in my studio making more ornaments and a few figurines.

Last time I put up a pic of the doves I was making, and although I'm pleased to see the completed fleet, I've since decided that 14 is too many of anything to make at once.  It started to feel like too much like work.  I think optimum number of ornaments or figurines for me when working is series is about 5 - 8 of each animal at a time; enough to get quicker and better at it, but not so many at once, that I start to get bored.

Once again, everything here is 'greenware', in a few days I'll start glazing and firing everything.

Blue jays! Inspired by the noisy flock that enjoyed our giant sunflowers.

Squirrels!

One-offs (for now - til I make more) are super fun too, like this peacock figurine.


greenware peacock earthenware figurine who, when finished, would love to go live on the desk of an NBC executive

And in this pic are a meerkat with santa hat, a bulldog with santa hat and collar, and a bluebird with santa hat.   All earthenware, I really hope they turn out after I glaze and fire them!



These aren't even all the ornaments/figurines I've made so far, there are also owls, roosters, and I'm working a small herd of horses.

So there are some pics.  On to this post's blah blah blah...

Last week was Halloween so husband and I were on the look out for a terrifying movie.  So we watched "Death by China" on Netflix.  Scary stuff indeed!

Here is the trailer:



While the movie got mixed, and interesting, reviews on sites such as Rotten Tomatoes, my guess is that pretty much everyone in North America has been affected in some way by the off-shoring of jobs.  And somewhere in the movie someone said something about how if you make less stuff than you bring in your economy is going to be in trouble.

This led me to another huge A-Ha moment that Oprah herself would possibly smile at.

I've decided to change my identity.  I'm not going to identify myself as an 'artist' anymore.  Forget it.  From now on if anyone asks what I do I'm going to tell them I own and operate a small manufacturing business.  I own a factory.  An ornament and figurine factory.  


Because it's true, isn't it?  Artists and craftspeople are some of the only people left in this country that actually make anything.   In my case, I literally make things out of practically nothing.  I take a glob of clay, mold it, process it in my shed, and voila, home decor.  No child wage slaves (yet...),  no environmental degradation, no tankers with containers of stuff, no human rights violations, no dress codes even.  I only have one employee so far (me) and I treat her/me pretty well.  Working conditions in my factory are pleasant, bright and well ventilated with adequate breaks, flexible hours, background music of choice, and a very short, easy commute.

I'm very sensitive to the energy of people and objects, and when I told my husband about my 'factory' revelation I could tell that he instantly began to view what I'm up to in my studio with higher regard.  After all, his father was a manager at Sydney Steel, so his whole family was raised on manufacturing money.  Sydney Steel of course is another Canadian company that fell to the inability to compete with cheaper foreign goods, leading to a giant loss of jobs for my husband's homeland.

A discussion ensued as to whether I'm operating a 'plant' or a 'factory'. I've decided to go with 'factory'.  And now I can see maybe what Andy Warhol was up to when he named his studio "The Factory".

Maybe I'm on to something.  

"Being good in business is the most fascinating kind of art.  Making money is art and working is art and good business is the best art." - Andy Warhol


I have another big idea for a blog post, related to this one, coming within a week or so, so stay tuned!

Meanwhile "Steam Engenius" by Modest Mouse is stuck in my head... (sharing this via youtube, but I did buy the cd, which is awesome)



Monday, October 28, 2013

Flock of Doves, and "Why I think I’m less of a Deadbeat Since Quitting My Biology Career to be a Full Time Artist"



First off, here's a flock of stoneware Christmas ornament doves I’ve been working on.  They're bigger than the little doves I used to make, but I've carved them out a lot so I hope they'll be reasonably light.  These doves are still "greenware" (unfired clay) and eventually will all get bisque fired then dunked in Chun White cone 6 glaze.




 A couple of the doves looked like they wanted to be carved onto, so I did.






On to today’s other topic.  “Why I think I’m less of a deadbeat since quitting my biology career to be a full time artist”


This post is dedicated to all my biology friends who may have thought I was crazy for leaving my job to follow my dreams.


After my last post I did some thinking about what has held me back from making a living as an artist, and I realized that I have perhaps saddled myself with some unnecessary guilt.


I did some googling and found this article, reading it and all the comments below made me feel like I’m not alone.  It's a good read!  And so are the reader responses.




Perhaps it is the public education system which trains small children to believe that they should be marching off to work inside most of the week with limited breaks to be a functional citizen. 

I know when I made the decision to quit my full time job, and move to Regina and start Art School with the plan of following my bliss all day, I felt like I was swimming against a giant tide.    
A giant tide of people with “real” jobs.


I remember, after a couple of years, going back home to Richmond and my brother and I went to an open house across the street from our mom’s house.  It was a new development in a neighbourhood where old houses on giant old building lots with rich, fertile soil are getting mowed down for condos. 

The  sales agent asked me what I do and I said “I’m an artist”.   

It took me ages to be able to identify myself as this, rather than say “well I used to be a biologist”.  

 I felt proud of myself for saying it.  "I'm an artist".  Outloud, to a stranger.  

But, when I said "I'm an artist.", my brother, a mechanic, snickered.  

 No big deal. Of course he snickered, because I think there’s a public perception that being an ‘artist’ isn’t a real job.  

Rather, I suspect that many people could perhaps view artists as deadbeat mooches. 

It turns out that I'm not making this idea up; the idea that the public would regard a career in science as more worthy than an art career.  There’s even a report done by Princeton University that shows only 27% of those surveyed think that artists contribute a lot to the general good of society, and 26% think artists contribute little or nothing. Note we’re well below scientists but just a photo-finish ahead of politicians (whew).  Also note this survey was done in the states, I wonder if results would differ in other countries.

 

 


Perhaps this is the root of some of my guilt for choosing to move away from my friends and family to start a new life someplace where I have a chance of affording to do what I want all day.


But here’s the thing! 

The other day I had a giant “A-Ha” moment that would make Oprah proud. 

I realized that by leaving my job I was allowing myself to try to live an authentic life, a life where my main objective is to follow my bliss.  To use my talents in service to others.  To work at what I truly love.  In the words of Bob Marley to "emancipate [myself] from mental slavery".   


What if everyone in the world dropped what they were doing and made the effort to align with that which they knew, deep down, they really wanted to do, what they knew they really should be doing.  Wouldn’t that be interesting.
 

The other part of my “A-Ha” moment came from me reflecting back on my biology career.   

Did I really accomplish anything?  

I certainly blew through tens of thousands of tax dollars.  I’m good at academics, so I won a big scholarship that paid for my entire Master’s degree.  My Master’s research also came from tax money, a great big pile of tax money, which I spent on counting birds, identifying plants, measuring sagebrush and coming up with some conclusions that would possibly be obvious to anyone spending thoughtful time out in nature watching what the various birds I  looked at were up to.  


Next I got some jobs.  And looking back on these jobs, just the other day, during my "A-Ha moment",  I finally thought to “follow the money” and think about where my paycheque was actually coming from.   

For example, I worked as a fisheries observer on off shore trawl boats for a couple of years in BC.  It paid me well, but I think I only just clued in that the fishermen whose boat I was on would have to pay the consulting company $300/day or so.  No wonder the fishermen were pissed off about the observer program, there were trips where the fish observer would make more than members of the crew.  Ironically, more fish would have to be caught to fund me, and pay the consulting company fees.


And what good did it do anyhow? Small fishing boats are being replaced by giants ships that require way fewer crew, changing the sustainability of coastal fishing communities.   And as long as there are big profits to be made by the corporations responsible for these ships, aren’t we just going to fish everything until extinction anyhow?


Same goes for some contract work I did for a forestry company. I couldn’t help but get the impression that some of the work I was part of was part of some giant rubberstamping process and that industry would largely end up doing what it would have done in the first place.  

As with the fish that were caught to pay for me to be a fish observer, I realized that trees were possibly cut to pay me to have my cushy biology contract.  Possibly beautiful, huge, old growth trees.

Eeek.


By 2005 I felt like it’d be easy enough for me to be a biologist, have a comfortable life, getting paid to go on hikes, gather data, getting flown to meetings and eating muffins, attending conferences, writing this report or that, all on the public dime, while outside the world seemed to be largely going to hell in a hand basket with big corporations calling all the real important shots. 


I envied my coworkers who seemed cheerful to go to work every day.  Sometimes I wonder what if I'd have gone on antidepressants or found some other sort of way to make my job bearable.  Maybe I’d have stayed in Vancouver, maybe I’d have married another yuppie and we’d have a condo in Whistler to go on weekend ski trips to.  I’d still be playing ultimate frisbee, going for Friday evening drinks, cramming all my fun into evenings, weekends and vacations…should I have tried harder for that life?

Nah.
 
Fast forward to 2013 and I have to say I love every square inch of our 10 acres of riverfront. At least I can say that every frog, snake and bird on this property has a healthy home, and my non-yuppie husband and I do what we can to keep it that way.  As my art career grows I hope to earn enough to buy more acres of riverfront to leave for the critters.   

And I can say I love every minute in my studio where I try to sculpt things that I love, and hoping other will love them too.  I have to say I work way harder since becoming an artist, longer hours anyhow, if I was to count the hours where I was actually productive.  Being a biologist never pulled me to my work in the middle of the night the way my studio can. Instead of watching the clock and working for the weekend, now my time is spent realizing creative ideas and looking for the intersection between what I love to do, and what people need and want.

And, ironically, I think I live lighter on the earth.

No more driving my car to my conservation biology job and stopping for a Macdonald’s McGriddle on the way (I did this a few times near the end).  Now I have the time and space to grow my own vegetables and cook most things from scratch.  Trips to town to buy things are infrequent, and I no longer feel the need to numb myself after work with booze or shopping.  So, inadvertently, I think all this makes me a better ‘conservation biologist’ if I’m still allowed to claim that identity. 

And I'm not out to bash biology.  Rather, I think there are many scientists doing important work, and hopefully these are the people who are following their dreams. I'm grateful for all the biologists who work to protect the environment, and all the plants and animals we share the earth with.  It just wasn't right for me, and the best thing I could have done for society, I think, was to go off and figure out who my authentic self is, and start living that life instead.

So there you have it.  I refuse to feel guilty anymore about being an artist! I can't help it if I want to sculpt all the time.  Back to the studio!